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Emah   Fox

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Emah Fox is a multiple Green Room Award nominated sound designer and composer based in Melbourne, Australia. 

Her practice ranges from solo work spanning multimedia sculpture, moving image, soundscape installation and fine art photography, to collaborative work including sound design, composition and workshops with choreographers, filmmakers and other artists. She is also an electronic pop musician, vocalist, producer, actor and writer, and runs regular Synthesizer workshops (with a focus on workshops for women and non binary people) at Melbourne Electronic Sound Studio. 

Please see below for details of current / recent work, and contact via form or email (Contact link in menu).

Lady Example

Nominated for 4 Green Room Awards including Best Composition + Sound Design (Emah Fox)

“Lady Example is a small miracle: a phenomenal show ” - Jana Perkovic

— Sydney Morning Herald

“A precision of judgement and execution draws together this unclassifiable work into a fascinating unity. ” - Alison Croggon

— Witness Performance

Presented by Substation, an Alice Will Caroline production for Next Wave 2018

Remounted by Meatmarket / Artshouse for Dance Massive 2019

LADY EXAMPLE is a sweeping, operatic dance of bodies, words and women. Combining contemporary dance and theatre, this shimmering and mischievous performance considers the historical and contemporary feminine.

Presented by THE SUBSTATION and NEXT WAVE. Supported by City of Melbourne through the Boyd Studio, Creative Victoria, Besen Family Foundation, Creative Partnerships Australia and the Australian Government through Australia Council, its arts funding and advisory body.

Score available here

 

 

Howl

2016 Green Room Award for Best Design in Contemporary + Experimental Performance

Presented by Aphids, in association with Arts House, for Festival Of Live Art 2016

Remounted at PICA, WA in 2019 and Adelaide Biennial of Australian Art, SA in 2020

Howl is a celebration of 15 significant moments in art history. A ritual procession, a requiem that is unquestionably queer, arguably dangerous and probably obscene. Howl energetically probes the reactions art can invoke, and the perspective that history permits.

 

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